Snow White & the Seven Dwarfs

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Sleepy sneaks in his Z's anytime and anywhere he can, but none of the other dwarfs ever complains. Maybe that's because he works just as hard in their diamond mine as the others, albeit in a more relaxed fashion. In fact, he's so relaxed, and yawns so widely, that the resident housefly keeps buzzing into his mouth in hopes of finding a nice warm home.

Sleepy

More than shy, Bashful's a hopeless (make that hopeful) sentimentalist. When the dwarfs return to find their cottage mysteriously tidied up, he's even sentimental about his newly cleaned cup, lamenting that "the sugar's gone" as if he'd lost a dear friend.

Bashful

If the Seven Dwarfs have a leader, it has to be Doc (though he's far too good-natured to ever make it official). When there's an important decision to be made, Doc is usually the one to make it. After returning to the cottage to find it mysteriously tidied up, he nervously demands: "Search every cook an' nanny, uh, hook an' granny, uh, crooked fan -- uh, search everywhere." Doc's mind often works faster than his mouth when he's excited, but his judgment's always sound.

Doc

No matter what anyone says, Grumpy is against it. This know-it-all naysayer has the disposition of an old boot: tough, craggy, and resistant to anything. When the dwarfs first find Snow White lying asleep across their beds, Grumpy gripes, "Angel, huh? She's female, an' all females is poison! They're full o' wicked wiles."

Grumpy

No, Sneezy doesn't sneeze all the time ... just at the worst of times, like when the dwarfs have returned from the diamond mine to search for the mysterious "cleaning monster" in their midst. After a particularly violent sneeze, which sends them tumbling in its wake, he protests,"I couldn't help it ... when you gotta go, you gotta ... I-I-I, i-i-i-it's comin'." So his pals quickly jump him and tie his nose in a knot. Instead of getting angry, poor Sneezy's grateful. He's just as annoyed by his condition as the other dwarfs. But when all is said and done, his fellows are quick and happy to lend him a sneeze-stifling hand. It's all part of being a dwarf. Just keep Sneezy away from the goldenrod ...

Sneezy

In the early development process on the film, Dopey was the "leftover" dwarf with no particular personality. Then one day animator Ward Kimball discovered vaudevillian actor Eddie Collins at a Los Angeles burlesque house. Kimball invited the baby-faced Mr. Collins to the studio to perform and improvise pantomimes of Dopey's reactions on film. Thanks much to Collins' innovative acting, Dopey assumed a very definite personality and soon became one of the animators' favorite dwarfs.

Dopey

Without Happy around, Grumpy might not be quite as grumpy. For Happy's just too infernally cheerful about everything. When the dwarfs think there's a monster hidden under the blankets, Happy cheerily asks, "Which end do we kill?" And when the "monster" turns out to be a slumbering Snow White, Happy's even happier. But not even he can find any joy in his life after Snow White's bitten into the Witch's apple and fallen into a sleeping death. With any luck he'll get to live up to his name again someday ...

Happy

Princess Snow White, voiced by Adriana Caselotti. Snow White was the daughter of a great king whose wife died when the daughter was very young. Her wicked stepmother forced her to work as a scullery maid in the castle. Despite this, she retains a cheerful but naive demeanor. Virginia Davis, who starred in Disney's "Alice" series, was considered for the role of Snow White, but was rejected. Deanna Durbin was also considered, but was rejected because her voice was "too mature" for the role.

Snow White

The first feature-length animated film in history,

"Snow White" is a testimony to Walt's deep commitment to taking whatever existed and making it better. When he first proposed creating a cartoon that would run for more than just a few minutes, critics and nay-sayers abounded. "It'll blind the audience," said some. "Nobody will watch a cartoon that's so long," said others. They dubbed it Disney's Folly. But Walt persisted, risking the financial future of his studio on the project. And of course the success was complete. "Snow White" premiered on December 21, 1937, and provided a financial bonanza for the Disney organization. It was originally budgeted for $250,000, wound up costing $1.75 million, and brought in about $4.2 million in its first release. Perhaps more important, it proved that animation could be used not just to amuse but to provoke a far wider range of emotions. Viewers witnessing the "death" scene of Snow White -- shown above -- were moved to tears.